2018 |
Kaliane Ung, “Wounded Writings: Joë Bousquet, Hervé Guibert, Violette Leduc, Simone Weil” |
2016 |
Laure Astourian, "Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968" |
2014 |
Elizabeth Leet, "Women, Horses, and the Coming-Together of Species in High Medieval Literature" |
2012 |
Jillian Rogers, "Grieving through Music in Interwar France: Maurice Ravel and his Circle, 1914-1934" |
2010 |
Eve Morisi, "Literature at the Limits: The Poetics and Ethics of Capital Punishment in the Works of Hugo, Baudelaire, and Camus" |
2008 |
Carolyn Yerkes, "The Paradox of Precision: Architectural Drawing between Ancients and Moderns" |
2006 |
Alicia Levin, "Seducing Paris: Piano Virtuosos and Artistic Identity, 1820-1848" |
2004 |
Camille Robcis, "Rethinking the Family: Psychoanalysis, Anthropology, and the Problem of Kinship in Post-WWII France" |
2002 |
Sarah Hurlburt, "Montaigne in the 19th Century: Reception, Publication and Education" |
2000 |
Jenny Lefcourt, "Keeping Watch on Leisure: French Cinema as 'Parisian Populism,' 1920-1939" |
1998 |
Alison Murray, a study of the representation of Africa in French documentary films from the interwar period |
1996 |
Judith Surkis, "Virile Politics: Masculinity and Ideology in Interwar France" |
1994 |
Yael R. Schlick, "Rewriting the Exotic: Mille, Segalen, and the Emergence of Literature Coloniale" |
1992 |
Barbara E. I. Knauff, a study of multilingualism in French late 17th- and 18th- century imaginary voyages |
1990 |
Astrid I. Hustvedt, a study of the construction of femininity in late nineteenth- century France |
1988 |
Anne Catherine Vila, a study of the influence of medicine and natural philosophy on the fiction of the French Enlightenment |
1986 |
Jody M. Enders, a study of the relevance of rhetorical theories of composition to medieval drama |
1984 |
Maura Aiken Daly, a study of Gnosticism in modern French literature, particularly in the works of Simone Weil |
1982 |
Sara Reva Horowitz, the relationship between muteness and its variations in post-Holocaust fiction in post-war France |
1980 |
Amy Lucille Varin, a study of the various works on St. Guenole in French, Breton, and Latin, in both literary and folk traditions |
1978 |
Barbara Jane Meyer, a study of the interrelationship between French Surrealism and modern scientific concepts |
1976 |
Barbara J. Ford, a study of the language and themes of the Maximes of La Rochefoucaud |
1974 |
Brigitte Cazelles, a study of medieval French literature |
1972 |
Margaret Charlotte Ward |
1970 |
Elana Joyce Klausner |
1968 |
Cathleen McCollom |
1966 |
Mary Ann Ignatius |
1964 |
Carol Carter |
1962 |
Olga Bernal |
1960 |
Rose Abendstern |
1958 |
Janet Taylor Letts |
1955 |
Josephine L. Ott |
1951 |
Marion Henderson |
1947 |
Amelia Clara Murdoch |
1943 |
Blanche Price |
1939 |
Alice B. Critchett |